الإيقاع الحرکي في فن الباليه والاستفادة منه في النحت الميداني المعاصر

References:

1. http://egyptartsacademy.kenanaonline.com/posts/91056
2. Mark Chagall: Egyptian National Library and Archives - Cairo 2013, 1887-1985, p. 265
3. Mark Chagall: Reference already mentioned p. 279.
4. Rajih Ashour: "Taste the Art of Ballet (Dar Al Shorouk - Cairo 1421 Ah - 2000) p. 42-p. 46
5. Rajih Ashour: Reference already mentioned p. 51 & 56
6. Shaker Abdul Hamid: "Visual Arts and The Genius of Cognition", p. 148
7. Julian Hilvon: "The Theory of Theatrical Presentation", translated by Dr. Nohad Saliha, Cairo International Clowns Version of experimental theater, Ministry of Culture Cairo 1992, p. 159.
8. Glenn Wilson: "Psychology of Performing Arts", Translated by Shaker Abdul Hamid - World of Knowledge Series, Issue 208, Kuwait 2000, p. 232, 233.
9. http://www.galeriemalaquais.com/MARINIMarinoDesktopDefault.aspx?tabid=45&tabindex=44&amp=1324062016/8/5.
10. http://en.wikipedia.org/wiki/Marino-Marini-(sculptor)2016/8/17-
11. Boujdanov: "Plastic Arts in the Arab Republic of Egypt", translated by Ashraf Al-Sabah, General Authority for Cultural Palaces, January 2002, p. 15.
12. Mahmoud al-Nabawi Al-Shall: "Mahmoud Mukhtar Pioneer of Contemporary Art in Egypt", p. 27, Association of Graduates of the Higher Institute of Art Education, Egyptian Society of Personal Arts, Cairo, 1991, p. 26.
13. Salah Saad: "Metafazeka Movement Studies in Motor Drama and Dance " Youth Library, General Authority for Cultural Palaces 1995, p. 24-28-33-40
14. Shaker Abdel Hamid: "Age of Image positivies and negatives", p. 239.
15. Mohsen Attia: "The Confluence of the Arts", p. 63,64.
16. Mohsen Attia: "Concepts in Art and Beauty", World of Books, Cairo, 2005, p. 44.45.
17. Mahmoud Bassiouni: "Art and Education", p. 42.43
18. Previous reference: p. 323,333
19. Mohsen Attia: "Concepts in Art and Beauty", p. 44.
20. Mahmoud Bassiouni: "Art and Education", p. 41.42
21. Sabri Abdel Ghani: "The Vacuum in Plastic And Postmodern Arts", Supreme Council of Culture, Cairo, 2008, p. 118.
22. Mohsen Attia: "New Horizons of Art", Cairo 2003, p. 190.
23. Previous reference: p. 231.
24. Herbert Reed: "The Meaning of Art", translated by Sami Wood, General Authority for Cultural Palaces, Cairo .p. 30.
25. Mahmoud Bassiouni: "Art and Education", p. 27.29
26. Nabil Ragheb:" The Language of Expression of the Body in Art, Commerce and Politics ", Dar Ghreeb of Printing, Publishing and Distribution, Cairo, p. 44
27. Saleh Saad: Previous Reference, p. 24-28-33-40
28. Robert Gilam Scott: "The Foundations of Design " Translated by Abdelbaki Mohamed Ibrahim and others – Dar Al-nahdah Egypt - Cairo 2nd Editions 1980 p. 47
29. Rudolf Arnheim: One of the most prominent names in the field of art psychology was born in Germany in 1904 and after Hitler came to power traveled to Italy, then England and then the United States, where he settled since 1940
30. Shaker Abdul Hamid: Preference "Aesthetic " World of Knowledge Series National Council for Culture, Arts and Literature Kuwait No. 267 March 2001 p. 172
31. Robert Gilliam Scott: "Design Foundations"- Reference Already Mentioned p. 50
32. Shaker Abdul Hamid: Aesthetic Preference - Reference Already Mentioned p. 167
33. Master's thesis entitled The Dramatic Impact of The Composition of The Arts in Ballet - Tarek Mohammed Mahmoud Al-Tali - Higher Institute of Ballet - Academy of Arts - 1982 - p. 61 - 62
34. Clay, Paul: Modulation Theory, Previous Reference, p. 359
35. Mohsen Mohammed Salim, Various Factors Affecting the Statue of the Square, Ph.D., Fine Arts, Minya, p. 100, 2013
36. Mohammed Mohammed Al-Sheikh, the Square, Egyptian Encyclopedia of The History and Antiquities of Islamic Egypt, Egyptian national library, No History, p. 184
37. Mohsen Mohammed Salim, aforementioned reference, p. 103
38. Mokhtar Mohammed Kamal, Aesthetic and Plastic Standards for The Modern Day ' the Square and the Garden', Ph.D., Fine Arts, 2003