نوع المستند : المقالة الأصلية
المؤلف
قسم الفوتوغرافيا والسينما والتليفزيون - کلية الفنون التطبيقية - جامعة دمياط - مصر
المستخلص
الكلمات الرئيسية
المراجع:
أولاً: المراجع العربیة:
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Al-Bilihi, Sahar Mohamed Mohamed (2001): "A Comparative Study between Folk Art and Abstract Art for the Development of Contemporary Klim Designs for Global Marketing", Faculty of Applied Arts, Helwan University, p.38.
Al-Bahnasi, Afaf (1982): "Art in Europe from the Renaissance to Today", Dar Al-Arab Al-Arabi and Dar Al-Raed Al-Liban, p. 323.
Al-Husseini, Abdel-Moneim (2000): "Photography between the lens and the brush before the electronic image, Nazavi Magazine, Sultanate of Oman, p.154.
Al-Khuzaie, Abdul-Sadah Abdul-Saheb (2011): "Abstract Painting Between Islamic Perspective and Modern Perspective", I 1, Daroub Publishing and Distribution, p.27.
Al-Razi, Muhammad ibn Abi Bakr bin Abdul-Qader (d): "Mukhtar al-Sahah", Al-Nahda Library, Baghdad, p. 47.
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Gerdak, Abdel Halim (1975): "Transformations of Line and Color - An Introduction to the Essence of Modern Art", Dar al-Nahar, Beirut, p.22.
Hassan, Mohamed Hassan (2000): "The Doctrines of Contemporary Art A detailed explanation of all modern artistic trends", Hala Publishing and Distribution, p. 184.
Haider, Najem Abd et al., "Studies in the Structure of Art", Dar Al-Raed Al-Alami, Jordan, Amman, 1, p. 144.
Baker, Hanna (1983): Plato's Republic, Renaissance Library, Beirut, p. 35.
Dewey, John (1963): "Art Experience", translated by Zakaria Ibrahim, Takdim Zaki Naguib Mahmoud, Dar al-Nahda, Egypt, 2, Cairo, p. 118.
Reid, Herbert (1986): "The Meaning of Art", T: Sami Khashba, M: Mustafa Habib, House of Public Cultural Affairs, Baghdad, p. 97.
Aloush, Said (1985): "Dictionary of Contemporary Literary Terms", I 1, Dar al-Writers, Beirut, p.61.
Kandinsky, Vasily (1994): "Spirituality in Art," presented by: Mahmoud Bouchash, Egyptian General Book Authority, in cooperation with the Egyptian Association of Critics of Fine Arts, p. 110.
Mustafa, Mohamed Ezzat (1964): "The Story of Plastic Art", Dar Al Ma'arif, Cairo, p. 102.
Mueller, J., and Eagler, Frank (1988): "A Hundred Years of Modern Painting," translated by Fakhri Khalil, Dar Al-Ma'amun, Baghdad, p.139.
Nefadi, Dina Aham (2008): "The Philosophy of Abstraction in Modern Art", General Administration of Libraries, Department of Publications and Publishing, p.46.
Nitori, Leonello (1967): "How to Understand Photography", translated by Mohamed Ezzat, Cairo, p. 21.
Wadi Ali Shnaoua (2007): "The photographic surface between imagination, logic and interpretation", Sadiq Press, Hilla, p.38.
Wahba, Magdi et al. (1984): "The Dictionary of Arabic Terminology in Language and Literature", I, Lebanon Library, Beirut, p.88.
Abd el hameed, Eman Moustafa “semologya tasmeem w entag el sora el sadema bin el tatweer el teqni w el wazify fe el medya el hadisa” Magalet al Emara w al Fenoun w al Elom al Insania El adad 14
مجلة العمارة والفنون والعلوم الإنسانیة العدد 17
Belal, Ahmed Gamal el deen Abd el aziz “asar photoghraphya Arek Yohansn fe el seryalya w fenoun el photoghraphya” Magalet al Emara w al Fenoun w al Elom al Insania El adad 17
ثانیا: المراجع الأجنبیة:
24.Coke V., D., (1972):" The Painter and the photograph ", USA: University of New Mexico press, p.1
ثالثاً: المواقع الإلکترونیة:
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الصاوی، محمد (6 مارس 2014): " التجرید یطغى على مهرجان الفوتوغرافیا المعاصرة - جریدة الحیاة “، القاهرة.
26. http://www.nouhworld.com/article
العفاسی، سعید (إبریل 2019):" من التشخیصیة إلى التجریدیة الجدیدة "، الموقع الثقافی عالم نوح.
27. http://www.hdf-iq.org/ar/-29/1059-
حسین السکافی: التصویر الفوتوغرافی من التسجیلیة الى الفن، 2010 مقالة بموقع
سلامة، د. محمد احمد حافظ (إبریل 2019):" الفن التجریدی"، مقال بالمجلة الإلکترونیة، دلیل التصمیم.
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