References
Adcock, C., 1985. Marcel Duchamp's Approach to New York:" Find an Inscription for the Woolworth Building as a Ready-Made". Dada/Surrealism, 14(1), pp.52-65.
Antliff, A., 2006. The Making and Mauling of Marcel Duchamp's Ready-Made. Canadian Art (Spring 2006).
Cabanne, Pierre: Dialogs with Marcel Duchamp, Da Capo Press, Inc., 1979 (1969 in French),
Danto, A.C., 2003. The abuse of beauty: Aesthetics and the concept of art. Open Court Publishing.
De Duve, T. 1996. Kant After Duchamp, London: The MIT Press, 1996.
De Duve, T., 2005. Pictorial Nominalism: On Marcel Duchamp's Passage from Painting to the Readymade (Vol. 51). U of Minnesota Press. Eggink, W., 2010, October. The Reinvention of the Ready Made. In 7th conference on Design & Emotion (pp. 4-7).
Evnine, S.J., 2013. Ready-mades: Ontology and aesthetics. British Journal of Aesthetics, 53(4), pp.407-423.
Groijs, B., 2000. Text as a Ready-Made Object. Endquote: sots-art literature and Soviet grand style, p.32. Iversen, M., 2004. Readymade, found object, photograph. Art Journal, 63(2), pp.44-57.
Koskinen, I., Taffe, S., Mattelmäki, T. and Lee, J.J., 2013. Ready-mades in Empathic Design. Proc IASDR Tokyo (2013). Retrieved November, 16, p.2016.
Mileaf, J.A., 2010. Please touch: Dada and surrealist objects after the readymade. UPNE.
Milevska, S., 2001. The ready-made and the question of the fabrication of objects and subjects. Afterimage, 28(4), p.27.
Nesbit, M., 1986. Ready-Made Originals: The Duchamp Model. October, 37, pp.53-64.
Roberts, J., 2007. The intangibilities of form: skill and deskilling in art after the readymade. London: Verso.
Tenhaaf, N., 1998. As art is lifelike: Evolution, art, and the readymade. Leonardo, 31(5), pp.397-404.
Tomkins, Calvin 1996. Duchamp: A Biography. Henry Holt and Company, Inc. Wallace, Ian 2014. The History of the Found Object in Art
Wood, P. and Wood, P., 2002. Conceptual art. London: Tate Publishing.