Gilding Technique and Conservation of A Gilded Greco-Roman Cartonnage in Hurghada Museum.

Document Type : Original Article

Author

Lecturer of Archeology Restoration _ Faculty of Archeology- Luxor University

Abstract

Hurghada museum includes a gilded cartonnage related to Greco-roman period from Hawara, Fayoum governorate. This gilded cartonnage suffers from many deterioration phenomena, for example presence of cracks, micro cracks, completing of missing parts using epoxy resin as a previous restoration, and missing parts in the gilding layer. Examinations and Analysis were carried out by optical microscopy (LOM), Scanning Electron Microscopy (SEM) equipped with an energy dispersive X-ray detector (EDX), X-ray diffraction (XRD), and Fourier trans-form infrared spectroscopes (FTIR). EDX and XRD analysis show that the gilding layer is a gold leaf which includes gold as a principal component. It showed that the thickness of gold leaf is about 0.05 to 0.10 mm. The XRD analysis of the gilding layer sample showed that, it consists of gold, calcite and gypsum minerals. XRD analysis of the red - pink color revealed that it is red-lead Pb3O4.( lead tetroxide), in addition of calcite and gypsum minerals. The analysis result of the brown color showed that it consists of hematite besides calcite and gypsum minerals. All samples included a ground layer of the cartonnage so that, calcite and gypsum minerals related to the Preparatory layer. FTIR results show that animal glue has been used as a pigment medium and a cohesion material for pigments and the gilding layer. The treatment and conservation plan of the gilded cartonnage includes mechanical and chemical cleaning, injection of cracks and micro cracks; completion the missing parts in colored and gilded parts, consolidating the fragile parts using paraloid-B72 (3%). Plexiglas has been used in display process of the gilded cartonnage in Hurghada museum.

Keywords

Main Subjects


References
[1] Adams, C.V.A. (1996), The manufacture of ancient Egyptian cartonnage cases, The Smithsonian Journal of History 1, pp. 55- 66.
[2] Afifi, H. A. M., Analytical Investigation of pigments, ground layer and media of cartonnage fragments from Greek Roman period, Mediterrranean archaeology and archaeometry, 2011, Vol. 11, No. 2, pp. 91- 98
[3] Alawneh,  F. et al, Using Interdisciplinary Studies and Analyses in the Conservation of Greco-Roman Cartonnage, Conservation Science in Cultural Heritage · March 2019.   
[4] Ali, M., et al, Analytical Study and Conservation of Gilded Mummiform Cartonnage from the Greco-Roman Period in Cairo Museum,    Mediterranean Archaeology and Archaeometry, Vol. 16, No 2,(2016), pp. 127-137
[5] Cyril A., (1998). Mummy coffin and Cartonnage of Lady Teshat, Minneopolis In­sititute of Art, No. 125.
[6] Darque-CerettiI, E., Foil and leaf gilding on cultural artifacts; forming and adhesion, Revista Matéria, v. 16, n. 1, pp. 540 –559, 2011.
[7] Deer, H. et al, Rock-Forming Minerals, Vol. 2B, Double-Chain Silicates, Second Edition, The Geological Society, 1997.
[8] Derrick M.R., Stulik D., Landry J.M. (1999). Infrared Spectroscopy in Conserva­tion Science, The Getty Conservation Institute, Los Angeles, pp. 97-98.
[9] David A. Scott, M., Narayan, K., Keeney, D. & Dodd, L., (2003). An Egyptian cartonnage of the Greco-Roman period examination and discoveries, Studies in Conservation, Vol. 48 (1), pp. 41-56.
[10] Felder, E.,C “Mechanical analysis of the gold leaves beating”, In: Proceedings of the conference ICTMP 2010, Nice, E. Felder & P. Montmitonnet (Editors), Presses de l’Ecole des Mines de Paris, pp. 528-538, 2010.
[12] Jaeschke, L., (1997). Mechanical cleaning and the conservation of portraits from the Petrie Museum of Egyptian archaeology, From Portraits and masks, London: Published for the Trustees of the British Museum by British Museum Press, Lon­don.
[13] Ministry of Tourism and Antiquities, Hurghada Museum, https://egymonuments.gov.eg/en/news/hurghada-museum, 18/4/2020
[14] Nicholson, E.D., “The ancient craft of gold beating”, Gold Bulletin, v. 12, n. 4, pp 161-166, 1979.
[15] Oddy, W.A., “Gilding of metals in the old world”, In: Metal Plating and Patination, ed. S La Niece, P. Craddock, Butterworth, London, 1993.
 [16] Oddy, W.A., “Gilding through the ages”, Gold Bulletin, v. 14, n. 2, pp 75-79, 1981.
 [17] Pancaldo,S. et al., Mummy Masks, Cartonnage Conservation, The Petrie Museum.2010, P.6.
[18] Picton, J., Quirke, S., Roberts, P.,( 2007). Living Images. Egyptian Funerary Portraits in the Petrie Museum. Walnut Creek, California.
 
[19] Podany, J.,Garland, K. Freeman, W. Rogers, J., (2001). Paraloid B-72 as a struc­tural adhesive and as a barrier within structural adhesive bonds, evaluations of strength and reversibility, Journal of the American Institute for Conservation 40 (1), pp. 15-33.

[20] Rowe. S., Siddall, R. &Stacey, R., (2010) “ Roman Egyptian gilded cartonnage :technical study and conservation of a mummy mask from hawara”, in: Decorated Surfaces on Ancient Egyptian Objects: Tech-nology , Deterioration and conservation ,Dawson,J., Rozeik , C & Wright , M.(eds), Archetype pub-lications Ltd.

[21] Sabino, R., Gilding the Dead: Mummy Portraits in Roman Egypt, Art Institvte Chicago, , IN THE LAB, October 23, 2019.

[22] Vaticani, M. Egizio, G., (2007). The restoration of the funerary cartonnage of Ny Maat-Re, Decorated Surfaces on Ancient Egyptian Objects: Technology, Dete­rioration and Conservation, ICON Archaeology Group and Fitzwilliam Museum, Cambridge 6-9 September 2007.
[23] Wright, M.,( 1983). A method of Extracting Papyrus from Cartonnage, Studies in Conservation, 28, p.122.