The golden ratio in the regenerative text And the ancient Egyptian wall units (HIPS )And it can be used in contemporary print designs (Temple of Hibs as a model)

Document Type : Original Article

Author

Asuuit university

Abstract

I will demonstrate in details some of the secrets of this ratio and the qualifications that is based whether in nature composition or in human body in order to extract the golden ration in its portions , then comparing it with the greek civilizations . Therefore the “ Golden Ration ” and its digital determinants are considered onr of the controversial issues .Throughout the ages as its applications in the moute passage may be the most creative coordination for “ Aesthetic Regulation”. And so The problem of the research was the failure to take into account the golden ratio in graphic design and the principles of its organization in the methods of composition, borrowing, and reproduction. Hence, the aim of the research was to approach the concept of the golden ratio "aesthetic integration" in graphic design and the principles of its organization in methods of composition, borrowing, and reproduction according to ratios that have specific rules and methods. The research dealt with some of the secrets of the golden ratio "the ratios of aesthetic integration" and how it is based on and its applications, whether in the compositions of nature, with all its details of trees and others, and the human and his structural structure. The results indicated that the human body, with its basic structural divisions and external dimensions, is based on the golden ratio in an amazing balance, and this result is consistent with what Leonard and Da Vinci did when studying the anatomy of the human body and extracting the golden ratio in its divisions, and the study of Luca Buchley, which indicated that The Greek civilization presented scientific theories of the arts of painting, sculpture and music when they were concerned with the necessity of linking mathematics and geometry with the concept of shapes. Also the design currents in some of their styles are fed by the symbolic hunting left by man in ancient civilizations and the group of transformers that the man makes to analyze the set of relics , signs and art left by the continuous ancient civilizations in our contemporary life but the problem is how to install these elements and reproduce it . Based on the results, the researcher recommended the need to pay attention and take into account the golden ratio in graphic design work and in the compositions of nature with all its details from trees, humans, and others

Keywords

Main Subjects


المراجع
1. القرآن الکریم سورة التین الآیة 4.
Alquran alkareem  sorat lateen alaya 4
2. أحمد الکثیری. (31 7, 2019). خطوات تصمیم موقع ویب. "مبدع" مجلة الکترونیة.
ahmad alkathery (2019,731)  khtawat tsmem mawkea wep " mobdea  magala alqtronya .
3. بلاسم محمد. (2009). التصمیم الجرافیکی عبر العصور. عمان: مکتبة المجتمع العربی للنشر والتوزیع.
   balasim mohamad (2009) altasmem algrafeki abra alosor .amman maktabat almogtamaa alaaraby llnashor wa altawziea  .                                                                                                     
4. جان ماری اوزیاس. (1983). الفلسفة و التقنیات (المجلد 2). (الدکتور عادل العوّا، المترجمون) بیروت: عویدات بیروت –باریس.
gan mary ozyas (1983)  alfalsafa wa altaqanyat 9 almujalad 2) aldktor adel alawa  . bayrut owaidat - bayrut - parees .                                                                                                                
5. جلال عمرو محمد. (2019). المتطلبات المعرفیة والمهاریة لتحقیق النسب الجمالیة والاتزان باستخدام النسب الذهبیة وهندسة الفرأکتال بالتصویر الاعلامی.
jalal omar wa mhmed(2019) almotatalebat almaarefia wamaharia ltahqeq  alnesab aljamalia wa aleltzan bestkhdam alnesba althahabia alfragtal beltaswer alealamy .   
6. جلین ویلسون. (2002). سیکولوجیة فنون الأدب العدد 258. (شاکر عبد الحمید، المترجمون) الکویت: المجلس الوطنی للثقافة والفنون والآداب.
jleen welson . (2002) seycologiat fenoon aladab aladad 258 shaker abdul hamed ( almutarjmon) alkuwait almaglis alwatany llthaqafa wa alfonon wa aladab . 
7. جمیل محمداوی. (3 مارس, 1997). السیمیوطیقیا والعنونة. مجلة عالم الفکر العدد 25.
jamel mahamadawy (3 mars1979) alsemotekia wa alanwana . majalat alam alfeker  aladad 25.                                                                                                                                                          
8. دون إد. (2006). مدخل الى فلسفة التکنولوجیا (المجلد 2). (أ.د. فریال حسن خلیفة، المترجمون) مکتبة مدبولی.
doon ad .(2006) madkhal ela falsafat altaknologya ( almujalad 2) a.d fryal hasan khalifa almutarjemon maktabat madbuly .                                                                                        
9. دونالد م. اندرسون. (بلا تاریخ). التصمیم والحروف. مجلة فنون عربیة, العدد السابع, المجلد الثانی.
donald .m andorsun ( bela tarekh altasmem wa alhorof . majalat fonon aarabia , aladad alsabea ,almujalad althany .                                                                                                          
10. رومان یاکوبسن. (1988). قضایا الشعریة. (محمد الولی و مبارک حنون، المترجمون) الدار البیضاء: دار توبقال للنشر.
roman yokabson (1988)  qadaya alsharya  mohamed alwaly wa mbarak hanoon almutarjemon aldar albaydaa dar tobkal llnasher .                                                
11. سمیر ادیب. (2000). موسوعة الحضارة القدیمة (المجلد 1). القاهرة: مطبعة العربی.
saameer adeb (2000)mawsoaat alhadara alqadema (almujalad 1) alqahera matbaaat alaraby                                                                                                                                        
12. عدیلة محمود سامی. (2001). استخدام الرمز الشعبی عند الفنان عبد الهادی الجزار ودلالاته فی التراث الشعبی المصری (دراسة تحلیلیة). القاهرة: أکادیمیة الفنون، المعهد العالی للفنون الشعبیة.
adela mahmud samy (2001) estekhdam alramz alshaaby anda lafanan abdulhadi alnajazar wa dalalathi fi alturath alshaaby almesry ( derasa tahlilya ) alqahera , akademyat alfonon , almahad alaaly llfonon alshaabya .                                                                                                
13. غافن هاریس بول أمبروز. (2015). أساسیات التصمیم الجرافیکی. (حسام درویش القرعان، المترجمون) عمان - الأردن: جبل عمان للنشر.
ghafen hares bol ambroz (2015) asaseyat altasmem algrafiky ( husam derwesh alqran  , a;mutarjmon  amav alordon jabal amam llnasher .                                                                
14. محمد حسن جابر و د. عادل عبد الحمید عبده. (2020). القاهره: معبد هیبس.
mohamad hasan jaber wa d. aadel aabduhamed abdo (2020) alqahera maabad haybis .
15. میشال فوکو. (1987). حفریات المعرفة (المجلد 2). (سالم یفوت، المترجمون) بیروت: المرکز الثقافی العربی.
meshal foko (1987) hafryat almaarefa ( almujalad 2 ) ( salim yafot ) almutarjmon , bayrut ,almarkaz althaqafi alaraby . 
16.زینهم ، رشا - بدوی، ابراهیم - سیکولوجیة اللون واثره علی التذوق الجمالی للواجهات المعماریة تطبیقاً على واجهات منازل عزبة المطار بإمبابة- مجلة العمارة والفنون والعلوم الانسانیة  المجلد الثالث العدد العاشر 2018 ص 277-293
zenhom rasha - badawy ibrahim saykolejyat allawn wa atharho ala al tazawq al gamaly lelwagehat al meamarya tatbeqan ala wagehat manazel ezbat al matar bembaba - majalt al emara wa alfenoun wa eleloum al ensanya al mojalad al thales al addal asher 2018 s 277-293
17.Art, G. S. (2010, March 19). Design and Cultural Studies, Composition and the Golden Ratio. Retrieved from Gray's School of Art:
http://www2.rgu.ac.uk/subj/ats/TeachingWeb/teaching/t16-SportsAndExercise-07/Wk6-Composition/t16-w6-composition01.htm
18.AUTEX. (n.d.). Textiles - Shaping the Future. (I. Publishing, Editor) Retrieved from 17th World Textile Conference AUTEX 2017: file:///C:/Users/Re-HaMaDa/Downloads/AN_INVESTIGATION_OF_APPLICATION_OF_THE_GOLDEN_RATI.pdf
19.Jarvis, J. N. (2005). Going Digital: The Practice and Vision of Digital Artists.
20.S. Bates, &. A. (2010). What's entertainment? Notes toward a definition. Studies in Popular Culture. academia.edu.
21.Thomas, N. J. (1999). Are Theories of Imagery Theories of Imagination Cognitive Science 23.