Aesthetics of the expression of depth in both ancient Egyptian and Islamic painting Comparison analytic study

Document Type : Original Article

Author

history of art- the faculty of fine arts- helwan university- zamalek

Abstract

Abstract:
This study aims at showing ways and means of expressing depth in the ancient Egyptian and Islamic photography in the light of the different religious teachings of each of them and its extended influence, as the two civilizations participated in the hatred of the vacuum and occupied it with the writings or backgrounds complementary to the photographer, with different reasons for this. They have also created a new way of expressing perspective and what it takes to express depth in the two-dimensional panel, ensuring that the expression of reality is not expressed, but that it is formulated in a doctrinal perspective that differs according to creed, creating this kind of distinct conventional expression. Highlighting the shaping elements, the design foundations, and the esthetic and artistic values used by both, By introducing the images in both of them, their features, reasons and factors that have shaped them in such a distinctive way, with the description and analysis of some models of the ancient Egyptian photography and images of Islamic photography that have joined together in the content and the idea to ensure comparison of the different styles and solutions each artist has developed and succeeded in showing depth, A comparison is made between the old Egyptian and Islamic photography to draw similarities and differences in these styles.
The study found some similarities and differences in the depth-of-the-third-dimension combination processors, both of which used the element of overlap and the frequency of people to give the panel depth with different esthetic values in the fin, the diversity of color and movements, and each of them created a perspective and method for expressing events, particle, and the imaging of elements from Multiple angles.
Sometimes, imposing restrictions and conditions on art makes this an incentive to innovate, come up with new ideas, and various formative treatments that give each art a distinctive feature.
Keywords: depth- the principles of design- ancient Egyptian painting- Islamic painting

Keywords

Main Subjects

References

  1. المراجع

     الکتب العربية

    1-     الباشا، حسن. التصوير الاسلامي فى العصور الوسطى، القاهرة،  دار النهضة العربية، 1992.

    1- albasha , hsn. altaswir al'iislamii fi aleusur alwustaa , alqahrt , dar alnahdat alearabiat , 1992.

    2-     حسن، زکى. التصوير فى الاسلام عند الفرس، القاهرة، مؤسسة هنداوى للتعليم والثقافة، 2013.

    2- hasan , zka. altaswir fa alaslam eind alfiras , alqahrt , muasasat hanadawana lilzawaj , 2013.

    3-     حسن، زکى. التصوير وأعلام المصورين في الاسلام، القاهرة، مؤسسة هنداوى للتعليم والثقافة، 2012.

    3- hasan , zka. altaswir wa'aelam almusawirin fi alaslam , alqahrt , muasasat hanadawana liltaelim , 2012.

    4-     شديد، عبد الغفار. الفن المصري القديم من عصر الاسرات حتى نهاية الدولة القديمة، القاهرة،1998.

    4- shadid , eabd alghafar. alfana almisri alqadim min easr alasrat hataa nihayat aldawlat alqadimat , alqahrt , 1998.

    5-     عکاشة، ثروت. التصوير الاسلامى، القاهرة، 1990.

    5- eakashat , tharuta. altaswir alaislamaa , alqahrt , 1990.

    6-     [1] رياض، عبد الفتاح، التکوين فى الفن التشکيلى، القاهرة، جمعية معامل الالوان، 2000.

    6- riad , eabd alfattah , altakwin fa alfini altashkilaa , alqahrt , jameiat meaml alalwan , 2000.

     

    الکتب المترجمة:

    1-     بفيرش، لوقا. أنج بونهيم، ماري. عالم المصريين، ت جويجاتى، ماهر. عالم المصريين، القاهرة، المرکز القومى للترجمة، 2013.

    1- bfyrsh , luqa. 'anj bunhim , mary. ealam almisriiyn , t jwyjata , mahir. ealam almisriiyn , alqahrt , almarkaz alqawmaa liltarjamat , 2013.

    2-     ديورانت، ول: قصة الحضارة، الهيئة المصرية العامة للکتاب، القاهرة، جـ1، 2001، ص 20.

    2- diurant , wl: qisat alhadarat , alhayyat almisriat aleamat lilkutab , alqahrt , j1 , 2001 , s 20.

     

    الکتب الاجنبية

    1. Graves, M. Architecture in Islamic arts (treasures of the Agha Khan Museum), Agha Khan trust for culture, Iran, 2012.
    2. Cartocci, A. Ancient Egyptian Art (Visual Encyclopedia), Cairo, AUC press, 2009.
    3. Kleiner, F.S. Gardner’s Art Through the Ages, USA, Wadsworth, 2011.
    4. McCorquodale, K & Donovan, L. Egyptian Art (principles and themes in wall scenes), Cairo, Prism puplications, 2000, Pl 4.2.
    5. Robins, G. The Art of Ancient Egypt, Cairo, AUC press, 2008.
    6. Weeks, R.K. The treasures of the valley of the kings, cairo, Auc press, 2001.
    7. Wendy, M,K. What is islamic Art? Between religion and perception. UK, Cambridge university press, 2019.

     

    المقالات:

    1-      Davies, G.N. “The town house in Ancient Egypt”, Metropolitan museum studies, vol 1, 1929, p233-266.

     

    مواقع الانترنت

    1-      www.khanacademy.org

    2-      www.metmuseum

Files

Share

How to cite

Statistics