Drama, its constituents and artistic controls, and the philosophy of visual reading of social television dramas

Document Type : Original Article

Authors

1 Applaud art , photography and cinema and TV Helwan university

2 applied art Helwan university

3 applied art helwan university

Abstract

Drama, its constituents and artistic controls, and the philosophy of visual reading of social television dramas(

Introduction: Drama has different forms from era to era, in proportion to the natural development and society and with what results from these social movements in terms of thought and values, and this is not surprising if society takes into account that the art of theater emanates arts and bounces back into it, and drama is an art of expression. With the ability of man from the beginning of creation to express himself and the components of his natural and national environment.
Research problem: The research problem lies in the question, which is (Does what is presented in terms of social TV drama that achieve the target set for it by the viewer?), Or in another way, does the way in which the viewer receives the visual content presented to him by the social TV drama differs according to the method of the viewer of his own culture and ideas. Research objective: The research aims to attempt to correct the path between the method of producing social TV dramas through visual reading and the way the viewer receives these visual contents, which serves to raise the level of television dramas.
The importance of the research: is represented in an attempt to legalize the dramatic visual content and an attempt to understand each of the producers of the dramatic image the way the scenes translate these visual implications of the dramatic image and to clarify the difference between (word and image), meaning the scenario and the presented visual image.
Search questions:
1- Is the dramatic television picture sometimes considered a blocking of reality?
2- Does the dramatic television image lose the viewer's connection with reality?
3- Does the dramatic television image confirm the link between the viewer and reality?
4- Is the dramatic picture in television work considered a reflection and simulation of reality?
5- Do Egyptian dramas need to be corrected in order to serve and advance Egyptian societal values?
6- If the drama makers handle the visual language of the artistic work well, this will affect the dramatic meanings that reach the viewer. ?
7- Does the way the viewer receive the visual contents of the drama differ according to the viewer's culture, preferences and ideas?

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