Aesthetic foundations in ceramic design in mosque architecture And its relationship with the civilizational component

Document Type : Original Article

Author

Ceramics, faculty of applied art helwan uni

Abstract

Abstract:
The research is concerned with studying ceramics in mosque architecture, as despite the great diversity in the style of dealing with ceramics in Islamic architecture throughout the Islamic ages, specialized studies that dealt with the role of ceramics in mosque architecture in particular are rare and limited, especially in the Arabic language. Therefore, the study aimed to present an analytical study specialized in mosque ceramics and its architectural and aesthetic capabilities. And presenting a comparative study between the patterns of employing ceramics in mosque architecture, the research derives its importance from the value that the mosque carries in the Muslim community, as it is the focus and destination of Muslims every day and it is the kindergarten and comfort of hearts. The importance also extends to the area of specialization, as it opens the light on one of the most rich areas of ceramic product employment that remains as long as the mosque remains.
The research methodology relied on the analytical approach through three main axes, namely the mosque building standards and its relationship to functional performance and environmental standards, as well as the architectural styles and the basic and complementary architectural elements of the mosque. And finally, analyzing ceramics in mosques: (Hassan II) in Casablanca, (Sheikh Lotfullah) mosque in Isfahan and (Sultan Ahmed) mosque in Istanbul. The research in the first and second axis focused on basic functional and environmental considerations in mosque architecture design, and environmental influences such as: visual, audio and sensory effects and their relationship to achieving the functional purpose of the mosque. It dealt with the architectural elements of mosque architecture, and the effect of changing the style on the design and shape of the various architectural elements of the mosque. Then, in the third axis, he moved to an analytical study of three styles of mosques, which were characterized by the use of ceramics in a variety of styles that reflected the impact of the cultural heritage of each style. The study concluded to emphasize the importance of the design being holistic, i.e. designing the context to achieve functional and symbolic considerations, consistency and interconnectedness between the mosque elements. As well as employing plastic values for ceramics in the third dimension in addition to chromatic shaping.

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References

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