The painting of the Ancient Egyptian artist between creativity and creed and It's effect on the viewer

Document Type : Original Article

Authors

1 history of art- the faculty of fine arts- helwan university- zamalek

2 art history, faculty of fine arts, helwan unversity, cairo, egypt

3 Department of Art History - Faculty of Fine Arts, Helwan University - Zamalek

Abstract

The research addressed the most important academic and personal features of the ancient Egyptian artist, and both religious and worldly factors that influenced his vision and philosophy. The research also dealt with the importance of the artist's faith and its close association with religious belief, which was the main and only reason behind the artistic composition of all his works and its impact on the recipient. Although the ancient Egyptian did not make mural scenes for the purpose of seeing them from others, they were limited to the deceased and his family visiting from public places in the tomb without the burial chamber.
The researcher went on to explain the most important factors influencing the ability and skill of the ancient Egyptian artist and the artistic teachings he received from an early age in order to establish the rules of art, through the existence of educational and training systems to graduate specialized artists.
The researcher explained the ancient style of the Egyptian artist and his failure to submit to pure sensations and to remain captive to her, his refusal to transmit the visual image of any object or element explicitly transmitted through visual vision, and how to analyse it and return its elements to a sensory assembly based on rational artistic rules to bring it to a particular mental structure that fully suggests that being or being So the ancient Egyptian artist was transmitting direct data and feelings.
The ancient Egyptian man was born to be an artist, his art feeding on spirit and feelings to become the most truthful art known to mankind, as he left nothing to chance, but thought about all possibilities. So there were two motives inherent to the ancient Egyptian artist who were credited with his realism, the first to pursue his senses which made him a natural researcher and prospector. And the other one I became familiar with nature, which made him more forward looking.

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