Adapting the typography art in advertising design to enhance the touristic advertising visual identity

Document Type : Original Article

Author

Lecturer of the Advertisement Department, Faculty of Applied Arts - Benha University

Abstract

The art of typography is one of the most important types of art that allows the graphic designer to design a strong visual language in the design because it has an effective role in connecting the mind and rooting the symbols of visual identity through symbolic and expressive links to the Arabic characters as visual support elements of the tourism advertising by combining the picture and the Arabic letters to provide A dazzling advertising design designed to deepen the mental impact of ancient Egyptian art for the development of Egyptian tourism. The art of typography is characterized by strong aesthetic and decorative values that can be adapted to serve the distinctive tourist identity of the ancient and nascent Egyptian heritage of Egyptian cultural history. So, the issue we are discussing in this paper lies in the lack of awareness of the designer by the use of the arts of typography in the design of advertising, despite the ability to root the old Egyptian identity by drafting a visual aesthetic affecting the recipient of the message, Due to the economic crisis and the decline of tourism in Egypt in the past years, which require the presentation of high-impact creative design to express the cultural heritage of Egyptian tourism. The aim of the research is to shed light on the power of the art of typography in establishing the ancient Egyptian visual identity for the development of Egyptian tourism and attracting the recipient. Therefore, the study is concerned with clarifying the possibility of benefiting from the art of typography in deepening the old Egyptian visual identity for the advancement of Egyptian tourism, thus increasing the improvement of the Egyptian tourism and civilization returns, which is reflected positively on the economy. The research follows the analytical approach through the analysis of some ads that were created through the art of typography, as well as the experimental approach to design a group of ad models that volunteered the art of typography to root the ancient Egyptian visual identity. One of the most important results of the research is that the adaptation of the art of typography offers creative advertising solutions that positively affect the rooting of the ancient Egyptian visual identity, which enriches the content of the advertising message and revives the tourism and civilization of Egypt.  And we conclude from the results of the research that the use of letters and the art of typography in advertising has an effective role in deepening the impact of advertising messages as a visual communication to increase the competitiveness of Egyptian tourism.

Keywords


1. Nakilcioğlu, İsmail Hakkı. The effects of font type decreasing on visual perception and visual communication, Online Journal of Art and Design volume 1 issue 3, 2013, pp37-38.
2 - Imam, Mohammed Hassan - Hani, Samar. "Using the aesthetic values ​​of Arabic typography in furniture design" - 8th International Conference of Contemporary Arab Art - Yarmouk University - Jordan - 2013 - p.
(http://www.adjournal.net/articles/13/134.pdf) (2018)
3 - Mohsen, Heba Allah - Abdel Aziz, Magdy - Hani, Samar. "The role of typography in designing the idea of ​​a magazine as an innovative visual language" - p. 5. (Http://www.adjournal.net/articles/13/134.pdf) (2018)
4 - Mohammed, Walid Sayed Hassanein. "The art of calligraphy the Ottoman school" - Cairo - The Egyptian Book Association - 2015 - p. 19.
5 - Shawhan, Ahmed. "The Journey of Arabic Calligraphy from the Musnad to the Modern" - Damascus - The Union of Arab Writers - 2001 - p.
Ibrahim, Marwa El Sayed. "Arabic Calligraphy as an aesthetic aesthetic in the design of printing ladies' fabrics through the international fashion" - International Design Magazine - Volume 6 - Issue 3, p. (http://www.journal.faa-design.com/pdf/6-3-esaad.pdf) (2018)
7. Rizk, Assem Mohammed. "Arab Islamic Arts in Egypt" - Cairo - Madbouli Library - Egypt - 2007 - p. 41: 34.
8- http://thereadingblogme.tumblr.com (2018)
9. https://www.eskchat.com/article-10048.html (2018)
10 - Abdel Rahman, Hatem Abdel Hamid. "Structural Values ​​of the Kufic Line and their Possibility to Use in Decorative Plates for Students of a Faculty of Qualitative Education, Egypt", Helwan University, Faculty of Art Education, unpublished Master Thesis, 1987, p.
11. https://www.eskchat.com/article-10189.html (2018)
12. Kamal, Mohamed Mahmoud. "" Graphic Processors of Arabic and Latin Letter Forms for the Design of Innovative Brands in Egypt "- Egypt - Helwan University - Applied Arts Faculty - Master's Thesis 2000 - p. 55.
13. http://bohotmadrasiya.blogspot.com/2015/12/blog-post_23.html (2018)
14. http://mamado77777.blogspot.com/2015/03/blog-post_27.html (2018)
15 - Abdul Rahim, Mona Ibrahim - Nashat, Nahi. "The role of Arabic calligraphy in the creation of trademarks for the marketing of contemporary fashion printed through the Arab cultural heritage" - Arab Society for Civilization and Islamic Arts - Journal of Arts and Architecture - No. 5 - p. (http://www.aaciaegypt.com/wp-content/uploads/2017/04/ Role-Line-Arabic-In-Innovation-Trademark-Marketing-pdf)
16- http://mamado77777.blogspot.com/2015/03/blog-post_41.html (2018)
17. https://www.eskchat.com/article-10011.html (2018)
18 - Abdel Rahim, Mona Ibrahim - Nashat, Nahi. "The role of Arabic calligraphy in the creation of trademarks for the marketing of contemporary fashion printed through the Arab cultural heritage" - Arab Society of Civilization and Islamic Arts - Journal of Arts and Architecture - No. 5 - p. (2017) The Role of the Arabic Calligraphy in the Creation of Trademarks for Marketing (2018)
19. Ibrahim, Marwa El Sayed. "Arabic Calligraphy as an aesthetic aesthetic in the design of the printing of ladies' fabrics through international fashion" - International Design Magazine - Volume 6 - Issue 3 - p. 263. (http://www.journal.faa-design.com/pdf/6-3- esaad.pdf) (2018)
20. https://www.eskchat.com/article-10104.html (2018)
21. Shohan, Ahmed. "The Journey of the Arabic Calligraphy from the Musnad to the Modern" - Damascus - The Union of Arab Writers - 2001 - p.
22. http: // arfont