The plastic features of Maqamat al-Hariri as an entrance to the establishment and Development of building systems in the teaching of contemporary painting at the University of Taif.

Document Type : Original Article

Authors

1 Associate Professor, Faculty of Education, Taif University

2 Professor at the Faculty of Applied Arts and Design - Taif University

3 Assistant Professor, Faculty of Applied Arts and Design, Taif University

Abstract

The aim of the current research is to identify the Plastic features of the drawings, including the drawings of the Maqamat al-Hariri, in Islamic painting, to benefit from the Islamic heritage and the visual balance in this art as a new source of solutions and the development of new imaginative constructions and systems in contemporary painting, the development and enrichment of imagination and the ability to meditate and link the new cultural heritage And the old at once and the mixture between them, First, the theoretical framework that dealt with a series of studies related to the subject of the research. He also discussed the concept of Minimat
Makamat Al- Hariri, what is the version of al-Wasti, Islamic painting and the vision of the renewable artist. The impact of Islamic art on Western painting, and the evaluation of drawings Wasti, The second axis: An applied axis that dealt with two aspects: An analytical aspect: To study and analyze a selection of drawings by Yahya Al Wasti to extract the distinctive plastic features of the artist. A random sample of students of the Arts Department at the Faculty of Applied Arts and Applied Arts, (Research sample) to benefit from the development of new building systems and solutions on the painting, and this has ended the current research and reach a set of findings and recommendations and useful to researchers in the field.

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