Design as a developmental factor for culture and visual arts

Document Type : Original Article

Author

Lecturer, Faculty of Design and Architecture, Interior Design Department, Jazan University Dr/ Lecturer at the Higher Institute of Applied Arts, 5th assembly

Abstract

Visual language since the middle of the last century began to impose itself on the visual cultural as an important factor has a role in the formation of awareness and perception in humans, and if we consider this language as written and spoken language, unfortunately we find many people are don’t master it, and here is the role of the owners of this visual culture for development it by Spreading their deferent productions Among the people.
It is said that the task of language is to evoke the image of things not the same things. If the word (lion) is mentioned, the lion does not attend but brings the image of the lion in the mind of the addressee. When man develops and moves from the Sensitive to the abstract, the image becomes a tool to express this imagined abstract, as we find this in All human civilizations.
The picture is not necessarily a simulation of reality, but is the abstraction and re-production of reality with the sense and experience of the designer of this image, whether this picture is painting or a piece of work or architecture or parks..... And so on.

Keywords


Arabic Books
1 - Al-Guthani, salary, aesthetics of vision, Damascus, Dar Al-springs, 1999.
2- Khalil, Maan, Sociology of Art, Amman, Dar Al-Shorouk Publishing and Distribution, 2000 AD.
Books translated to Arabic
3. Dwyer, Francis-Moore, David Mike, Visual Culture and Visual Learning, American Society for Visual Culture -IVLA, translation by Dr. Nabeel Gad Azmy, Cairo, Beirut Library, 2 nd,
4. Scott, Robert Gillam, Foundations of Design, translated by Mohamed Mahmoud Youssef and Abdel-Baqi Mohamed Ibrahim, review by Abdel Aziz Mohamed Fahim, Cairo, Nahdet Misr Publishing House.
scientific messages
5 - Hammad, Rehab Farouk Abdul Aziz, the intellectual and plastic dimension and the concept of time in a selection of murals of contemporary art as an entrance to the teaching of decorative designs, a doctorate letter, Faculty of Art Education, Helwan University, 2009.
6- Mohammed, Hasna Hassan, Social Message of Wall Painting in the 20th Century, Ph.D., Faculty of Fine Arts, Alexandria University, 2004.
7 - Moses, Ibrahim Mohammed. The organic integration between the elements of design and their use in decoration, MA thesis, Faculty of Fine Arts, Alexandria University, 1984.
Research published in conferences and magazines
8- Abdul Hamid, Shaker, The Age of the Image Negatives and Prospects, The World of Knowledge, The National Council for Culture, Arts and Letters, No. 311, Kuwait, 2005.
9- Abdel-Khaliq, Mohamed Shaker, the wall design between creativity and function, the second scientific conference, Faculty of Fine Arts, Alexandria University, October 1998.
10 - Abdul Wahab, Tareq Abdeen Ibrahim Abdul Wahab, reading the plastic image between truth and revelation, Journal of Human and Economic Sciences, Sudan University of Science and Technology, No. 1, July 2012.
Internet
1- https://georgetraboulsi.files.wordpress.com/2014/12/altamira-cave.jpg (2018)
2. http://esyria.sy/sites/code/index.php?site=damascus&p=stories&category=arts&filename=201006242100011 (2018)
3. https://mymodernmet.com/2100445:BlogPost:20245/ (2018)