An analytical vision of the sensory and imaginative realization of assemblage art in relief Sculpture

Document Type : Original Article

Author

Sculpture department , faculty of fine arts , luxor university, Egypt

Abstract

The Contemporary issue has become very much dealt with in the general paths of art, and in plastic art, and its existence has become different according to the artist logic, although the apparent feature in the overall artistic and behavioral approach is the search for the new, and it has been the emergence of new concepts such as modernity. Contemporary and new media play an important role in pushing artists in the field of relief sculpture to seek development, modernization and departure from the familiar traditional form. What is known as the art of collecting raw materials appeared, and the use of ready-made media in crafting the artworks that carry new plastic, touchable and imaginative values, and to present modern artistic visions. Keeping pace with the technical development, which has become one of the most important features of the era, to reach a complete fusion between the different fields of art, including that the artwork enables the employment of the image formation concept, with the concept of mass in sculpture in one artwork, especially with the performance concept on various/different surfaces, to become a work of art.

The artist presents a special point of view to express social content by combining elements or vocabulary with symbolic connotations inspired by various materials, components, tributaries, ideas and visions. All in a visual spac that allows her to form images and meanings that inform the recipient after they are re-installed and inserted within the artwork surface. Since the aesthetic act consists of diversity of media, textures, surfaces and the overlapping of races within a climate characterized by unity, to allow the designer to draw inspiration from nature, what is called the perception process must occur, whether this perception is touchable or imaginary.

so that the artist can fully perceive his visual surroundings in a way that makes him able to use his tools. Which makes him able to formulate collage artwork. The artist focuses on the mental image and linksit with the touchable perception and imagination. The art of assembly relied in some of its productions on the imagined mental image from the world of dreams, and the jealousy in the formulation of these compilations. The totality of the artist 's psychological life was explained by relying on this imagined image.

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