A plastic vision of the movement performance in the Sufi dance as an entrance to enrich the graphic arts

Sources of inspiration and inspiration are multiple in visual art; The environment is one of these sources in addition to the most prominent rituals of this environment; The artist is inspired by a lot of cosmetic vocabulary and aesthetic values, so the artist's attitude to the aesthetics around us was not just transport or tradition; Rather, work on reformulating these vocabulary in line with modern-day concepts through many useful changes in graphic work structure.

Based on the importance of graphic in imposing a unique artistic character over time from the arts of ancient civilizations to contemporary art; The current study highlights how to draw inspiration from those mystical rhythms in the mystical dance, which form male rings; Considering art as an active aspect of society, by studying the philosophy of mystical thought; the kinetic rhythm parallel to that thought; And the situations of the mystical ways, perhaps because the careful meditation of the universe by the artist is a rank of mysticism on the one hand, and the abstraction of the mystical state is very similar to the structural abstraction on the other, as well as the state of deepening the capacity of the Creator Almighty, where it is considered "Sufism is a degree that is under consciousness and above reason and always invokes consciousness and insight to explore the substance's essence when it becomes a mere spectrum of visibility." It is also "a creative expression of remembrance and reflection in the divine order that covertly inhabits all forms". And it also serves as the deep internal dimensions of human consciousness that illustrate the main hidden origins in the form of fixed symbols both in the behaviors of worshippers and in the work of deep Sufi-looking plastic artists, revealing the life that lies within all forms, and thus "A curriculum that goes the way of knowledge and brings it to its highest ends, especially the knowledge that has come to light.

The study includes an introduction, two entries and a conclusion, the first entry, titled: The Historical Root of the Mouliya Dance through the Ages, and the second entry, entitled: A Graphic Vision from a Structural Perspective of the Mystical Dance, and then the conclusion of the research.