The Visual deception of the space as a starting point to the innovative metal work.

The property of the visual deception of the space is considered aesthetic value in the nature. This property is produced by atmospheric, photometric, motor and climate factors that affect the visual and sense perception of the looker and receiver. The light that reaches the retina constitutes the natural basis of the visual deception of the space. The varieties of the light angles that reach our eyes from nearby objects are the double of what we could get from the far objects. So, we could get several connotations for the visual deception of the space and by adding new visual items to the original shape we could get changes that reflect a new visual deception. Each formal body has a specific definite characters and its creative and aesthetic values will not be clear unless we add other different aesthetic items that add new creative and aesthetic characters to the formal body which is the visual deception of the space that we will touch on through this study that aims at reaching new abilities and dimensions of the visual deception of the space to get several and creative formativeformulations to the metal work. Besides that, we aim at getting continuous expression and continuous metalwork formation. To reach to these objectives the researcher put the following assumption:we could create a metal work that depend or the property of the visual deception of the space as a formative starting. The importance of this research lies in continuous practicing and several experimentations on the formative method that depend on visual deception of the space with deep meditation and wakefulunderstanding of formation methods that will have a role in renewal, updating and creation in the field of metal work. Also, the importance of this research and studying the visual deception of the space and applying this in metal work may open new horizons in the field of metal work and growing the imagination depth to the art practitioners. This will help the art students to recognize that the nature is an inexhaustible source of continuousgiving to the all meanings of the beauty and areplenish able source to the creative imagination in the items of art work specially the metal works.

The study includes: research background, its problem, its importance, its aims, its assumption, its terms and the researcher followed the descriptive, analytic and experimental method in this work.