The use of teamwork in the design of mural works Through the neglected areas of the surrounding environment and converted into works of art

Document Type : Original Article

Author

Assistant Professor at the Department of Decoration at the Higher Institute of Applied Arts

Abstract

Research importance:
The importance of research is attributed to the interest in group work as an input to the teaching of the foundations of design and the development of creative and innovative abilities and greater taste for color relationships and the realization of design systems and color changes that can lead to raising the level of artistic taste of the scenes in the streets and squares.
Search Goal:
1) Understand the concept and trends of street art.
2) Present a contemporary view of wall art and access to innovative art forms from contemporary frescoes.
3) group artwork offers multiple chances for a unified work that allows for interaction of abilities, energies and skills.
Research Methodology:
The researcher followed the analytical descriptive approach and the experimental method.
research results:
The study revealed through the theoretical framework the importance of the role of street art in the development of new aesthetic designs that develop aesthetic behavior in society.
The researcher reached through the study to:
3. Extraction modern abstract designs and their use within the plastic painting of the walls of the street art combining Egyptian identity with contemporary art.
4. the possibility of strengthening the concept of murals art and benefit from this in raising the level of artistic taste of the scenes in the streets and squares.
Recommendations:
1) The need to conduct various researches and studies to identify this type of art, which is murals (street art).
2) To guide researchers more to understand the Egyptian heritage and re-employ it through murals and street art to combine identity and contemporary.
3) Flexibility in formalities and lack of adherence to limited expertise and the use of collective art work, which provides multiple chances for a unified work that allows the interaction of different abilities, energies and skills

Keywords


Anani, Salah Contemporary trends in wall painting and its use in the development of the teaching of group photography in the secondary stage, Master Thesis, Faculty of Art Education, Cairo, 1987, p. 19
 (B) Bassiouni, Mahmoud Art and Education, Dar Al Ma'arif, Cairo 1984, p. 184
 (C) Ragheb, Imad Farouk Research paper, group work as an introduction to teaching design relations in the wall painting, Faculty of Art Education, Helwan University.
 (D) Al-Razzaz, Mustafa morphological analysis of the foundations of the design and the viewer's position, Volume Studies and Research, No. 3, 1984.
 (E) The Prisoner, Zeinab Raafat Wall Painting, Journal of Studies and Research, Third Issue, Helwan University, 1980
 (F) Scott, Robert Gelat Foundations of Design, translated by Mohamed Mahmoud Youssef, Abdel Baqi Mohamed Ibrahim, Dar Nahdet Misr for Printing and Publishing, 1980.
 (G) Mouawad, Abdel-Moneim, Wall Design Techniques for Facades and Architectural Surfaces in Cairo, unpublished Master Thesis, Department of Interior Design, Faculty of Applied Arts, Khalwan University, 1981.
 (H) Hamouda, Yahya Theory of Color, Dar al-Ma'aref Cairo, 1981.
(I) Shawki, name of the motor property of the abandoned and the possibility of employment in the design of decorative painting, unpublished master thesis, Faculty of Art Education, Helwan University, Cairo, 1985.
 (J) Abu al-Khair, Hussein Ezzat Interior Design between Art, Science and Heritage, Journal of Folklore and Heritage, Vol. I, Cairo, 1993.