From stillness to movement as an introduction To acontemporary painting Color vibration :

There is no doubt that color vibration is one of the basic color effects in the system of artwork. It is a visual experience that gives the impression of a "trembling" to the viewer's eye, which may be comfortable in some cases, and in other cases it appears disturbing. Due to the association of color vibration with the phenomenon of fragmentation of colors and the dismantling of shapes, it dominated the works of the impressionistic, expressive and abstract school, and its association with the element of movement made it widespread and achieved in the works of the future school, which relied on the system of contiguous repetition to suggest movement. In the void) in order to be associated with the natural light or the artificial light of the galleries, in addition to the movement of the scenes themselves on several levels. These data contributed over the successive times in the transformation of view and theory from stillness to movement.

The researcher has been interested in how to construct a work of art since his graduation from college, and after studying and analyzing the structural values of international artworks, he found that at the beginning of the nineteenth century they depended on the color vibration of the brush movement, then they changed and transformed into other formulas in post-modern arts, where they relied on the interactive relationship of the viewer’s movement around The work itself is combined with the element of natural or artificial light, so that the concepts of movement ultimately range between discretionary, illusionary, and actual, and the movement of the viewer within and around the work

From the above, the research problem is determined by answering the following questions: What is the role of color vibration in constructing the artistic work in the researcher’s works? What are some of the distinctive features of color vibration in states of rest and movement? How does this affect the viewer?.