Artistic and formative treatments in selections of modern and post-modern painting As asource for enriching contemporary egyptian painting

Document Type : Original Article

Author

Assistant Professor, Department of Painting / Faculty of Fine Arts / Helwan University

Abstract

The current research dealt with “artistic and formative treatments in selections of modern and post-modern painting as enriching a contemporary Egyptian painting” it was interested in studying these treatments in addition to some of the techniques used. This research contained fifth chapters, the first chapter included the research problem, research objectives and its importance. The answer to the following question: Can contemporary Egyptian photography be enriched by studying and analyzing the artistic and plastic treatments of selections from modern and post-modern photography? The research objectives are as follows: Enriching the artistic aesthetic in the field of photography through technology and the nature of the material. The multiplicity of new artistic visions in the structure of the artwork through the use of tools, media and techniques that benefit from environmental raw materials and the outputs of scientific progress. - Identifying some techniques and treatments that contributed to changing the shape and structure. - Trying to find experimental approaches By making use of scientific data. Trying to reach contemporary plastic possibilities and treatments in light of traditional materials What is the purpose of the research: Benefiting from the results of the study in creating new artistic visions, clarifying the importance of using some new materials in the photographic work in terms of their artistic and aesthetic impact, then the innovative method in using the traditional material - oil colors, shedding light on the artistic and plastic treatments of some Egyptian artists And plastic potential as a creative director in modern and contemporary Egyptian photography.

2- As for the second chapter: it included the theoretical framework, which contained two axes: concepts and terminology, the most important techniques used in modern and post-modern Egyptian photography, some post-modern techniques. As for the third chapter, it contained the research procedures, which were: an analytical study of selected works of photographers based on the new technologies, a number of indicators after studying the theoretical side.

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