Combining the Arabic character with the digital image and its role in graphic output – experiences and results

Document Type : Original Article

Author

Petra Uinversty

Abstract

An artist would have at his or her disposal a plethora of calligraphy units to produce his works integrating visual units that are eye catching to connoisseur fans.Arabic calligraphy closely relates to artistic, and cultural advancements that go hand in hand. Undoubtedly, calligraphy art and writing activity in general constitute an important part of a living cultural heritage at its best.
Arabic Language remains a corner stone of Islamic civilization.It has been a flexible , comprehensive, and dignified vehicle for Arabs to express their thoughts and inner feelings throbbing with their distinctive cultural identity.
Needless to say, writing and language distinguish us human beings from other creation,and thus they are distinctive characterizations of human civilization as a whole. As part of wide spread technological advancements, many artists have been seeking to formulate Arabic script using computer software added to digital images to produce graphic design and plastic art as well due to the desired speed to accomplish such tasks.
The researcher embarked on digital experimentation by integrating Arabic letters with digital images she created to produce a series of digital graphic design work.
The problem of the research materializes in the question of how far digital technology would create graphics and plastic design artwork through the process experimentation leading to innovative design units that would attain equal standing with work purely produced by hand in the traditional way.
Objectives of the Research
1. To define the artistic mechanisms of Arabic calligraphy dynamics of formulation to produce graphic design works.
2. To pinpoint the potential of digital imaging: the what and how of digital works of art.
3. To produce innovative graphic design experiments that express visually the individualistic character of the researcher as an artist through integrating Arabic calligraphy script with digital images
Limits of Current Research Project
1. Arabic Letters
2. Digital Images
Hypothesis of the Research
1. To produce digital graphic design works characterized by an innovative visual perspective through formulating Arabic script at a back drop of digital imaging techniques.
Axes of the Research Project
The current research includes :
1. Former studies
2. Arabic script and digital imaging
3. Experiments by the researcher
4. Analysis of results
Keywords
1. Arabic letters
2. Digital imaging
3. Graphic Design Production

Keywords

References

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مجلة العمارة و الفنون و العلوم الإنسانية
Volume 4, Issue 16
July and August 2019
Pages 352-368

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